Qualification
Certificate
Entry requirements
BA(Hons) or relevant experience. Evidence of photographic work.
Duration
Part-time October 2025 to June 2026
Cohort size
Up to 15 places
Teaching sessions
Wednesdays, 15 hours minimum independent study
Costs
See details below
Our Still & Moving Image course will support your development as a critically-minded visual artist.
What's included
Cohesive body of work
A portfolio to take into employment or further study in fields including photography, videography, marketing and media
A professional photographic skill-set
Including portraiture (location and studio), landscape, reportage and event coverage, video shooting and editing skills.
In-demand skills
Knowledge of key Adobe Suite software, including Photoshop, Lightroom and Premiere Pro
Workshops
Ongoing modules and practical workshops with internationally exhibited photographers
Theoretical sessions
To develop an in-depth knowledge and understanding of the still and moving image
Tutorial support
Regular one-to-ones with tutors, peer review and expert critique
Collaboration
Individual and collaborative project work and exhibition opportunities
Connect with differing cultures and groups
Study trips within and outside of the area
Course Facilities
Equipment and Software including:
- Adobe Creative Suite
- LED Panel Lighting
- Studio flash kit with various light shapers
Students will need:
- Laptop
- DSLR or Mirrorless digital camera
Modules

Practice module
What is Photography?
Past, present & future
This opening module explores the transitory nature of photography. Technological and societal transformations are constantly reworking our understanding of both contemporary and archival imagery. Through research and experimentation within the local area of Margate, students will be encouraged to reflect on photography’s historical, theoretical and ethical shifts in perspective.
Image: student work, 2023

Practice module
Still | Moving
Building on the previous module, these sessions explore what happens when the still image is set in motion. Students will work on a short film independently, supported by technical sessions with film-making and editing. They will also work collaboratively as a crew filming an interview at The Margate School with a local artist.
Image credit:

Practice module
A Wider Frame
This module encourages students to consider the interconnected relationship between still and moving imagery and other forms of expression, including cinema, sound, the written word, fine art, digital platforms and gallery installations. Developing a broader understanding of how media intersect and influence each other in the 21st Century will expand the range and possibilities of your practice. Students will work with a range of techniques including - animation, stop-frame, long/multiple exposures and other alternative image generation techniques including AI.
Image credit:

Practice module
Communication Through Imagery
Enhance the ability of your practice to communicate and connect with differing cultures and groups within the Margate community. You will be introduced to a range of fundamental themes and topics, such as narrative and collaboration, with the aim to develop a contextually informed practice that is embedded within, yet also able to communicate beyond your local community. Students will work on a live brief documenting a local business as well as honing their portraiture skills both on location and in the studio.
Image credit:

Practice module
Project Resolution
Within this module you will consolidate your ideas into a cohesive project to create a new body of work that is ready to engage with an audience. This is your final project of the year. Students can develop their work in the most appropriate format: for example: an exhibition, a book, website, performance, social media, or video. The work will be exhibited at The Margate School and an exhibition catalogue will be designed collaboratively in the final unit.
Image credit:

Practice module
Publishing | Exhibiting | Curating
In this final module you will be encouraged to develop techniques that enhance the distribution and dissemination of your work. Thinking as a publisher will allow you to consider potential audiences and distribution channels, such as: social media, websites, self-publishing, crowdsourcing and gallery exhibition. You will work towards making a successful final exhibition at The Margate School and have one-to-one professional practice to give you solid and practical advice for what to do after you graduate.
Image credit:
Tutors
The Art Society Nature coordinator and tutors are research active practitioners and the programme is supported by a core team of regular tutors with visiting tutors joining the programme.
Costs

Per academic year
£4,000 per academic year, including hot desk, computers with Adobe Creative Suite and access to TMS facilities
Finances
We believe that your financial situation should not be a barrier to education, please get in touch by email for a conversation to discuss how we can assist: ellie@themargateschool.com

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Image credit: David Babaian

Edward Thompson
Edward is a British documentary photographer whose photographic work has covered environmental issues, socio-political movements, subcultures, everyday life and the consequences of war. His documentary photo-essays have been published in National Geographic Magazine, Newsweek Japan, Greenpeace Magazine, The Guardian Weekend Magazine, BBC, CNN and The Sunday Times Magazine. His work has been exhibited at Christie's, Somerset House and Four Corners Gallery, London and shown as part of international photography festivals.